A narrative shift on Palestinian experiences is disrupting the status quo
The final scene of the Oscar-nominated short film, “The Present,” is a simple depiction of an Israeli occupation that is being more widely described as “apartheid” than ever before, including from the hallowed halls of the U.S. Congress, long the bastion of pro-Israeli sentiment.
The film fictionalizes the fraught effort of a father and his daughter crossing into a neighbouring town to purchase a fridge. It ends with the little girl pushing the fridge onto the road reserved for settlers, rather than turn back because the checkpoint’s turnstiles are too narrow to fit the appliance through.
“The Present” is just one more example of how the experiences of Palestinians are no longer hidden from view, long held hostage by the Israel government’s broad narrative depicting Palestinians as terro










